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Test Bank for The Humanities: Culture, Continuity, and Change, Volume 2 4th Edition Sayre

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This is completed downloadable of Test Bank for The Humanities: Culture, Continuity, and Change, Volume 2 4th Edition Sayre

Product Details:

ISBN-10 ‏ : ‎ 0134789431
ISBN-13 ‏ : ‎ 978-0134789439
Author: Henry M. Sayre

For courses in Introduction to the Humanities See context and make connections across the humanities The Humanities: Culture, Continuity, and Change leads students on a journey through countless “ah-ha” moments as they piece together the cultural history of the world. Believing that students learn best by remembering stories rather than memorizing facts, author Henry Sayre deftly conveys multifaceted cultural experiences via a storytelling approach that students will remember – during the course and beyond. Updated with numerous new images and examples, the 4th Edition analyzes recent works such as Lin-Manuel Miranda’s Hamilton: An American Musical to help students see how course concepts can help them understand resonant contemporary works.

Table of Content:

Part Four Excess, Inquiry, and Restraint 1600–1800
21 The Baroque in Italy The Church and Its Appeal
Learning Objectives
Baroque Style and the Counter-Reformation
Sculpture and Architecture: Bernini and His Followers
The Society of Jesus
San Carlo alle Quattro Fontane
The Drama of Painting: Caravaggio and the Caravaggisti
Master of Light and Dark: Caravaggio
The Baroque and Sexuality: Caravaggio and the Metaphysical Poetry of John Donne
Elisabetta Sirani and Artemisia Gentileschi: Caravaggisti Women
Venice and Baroque Music
Giovanni Gabrieli and the Drama of Harmony
Claudio Monteverdi and the Birth of Opera
Arcangelo Corelli and the Sonata
Antonio Vivaldi and the Concerto
Chapter Review
Reading
22 The Secular Baroque in the North The Art of Observation
Learning Objectives
Calvinist Amsterdam: City of Contradictions
Gaining Independence from Spain
The Dutch East India Company in Batavia
Tulipomania
The Dutch Reformed Church: Strict Doctrine and Whitewashed Spaces
The Science of Observation
Francis Bacon and the Empirical Method
René Descartes and the Deductive Method
Johannes Kepler, Galileo Galilei, and the Telescope
Antoni van Leeuwenhoek, Robert Hooke, and the Microscope
Dutch Vernacular Painting: Art of the Familiar
Still Life
Landscapes
Genre Scenes
Johannes Vermeer and the Domestic Scene
The Group Portrait
Rembrandt van Rijn and the Drama of Light
The Drama of Light
Rembrandt and the Self-Portrait
The Baroque Keyboard
Jan Pieterszoon Sweelinck’s Fantasias for the Organ
The North German School: Johann Sebastian Bach
Vocal Music
Instrumental Music
Chapter Review
Reading
23 The Baroque Court Absolute Power and Royal Patronage
Learning Objectives
Absolutism and the Arts: Louis XIV and the French Court
The Tastes of Louis XIV
The Painting of Peter Paul Rubens: Color and Sensuality
The Painting of Nicolas Poussin: Classical Decorum
Music and Dance at the Court of Louis XIV
Dance Forms
Theater at the French Court
The Art and Politics of the English Court
Anthony van Dyck: Court Painter
Puritan and Cavalier Literature
Henry Purcell and English Opera
The Arts of the Spanish Court
Diego Velázquez and the Royal Portrait
The Literature of the Spanish Court
The Plays of Lope de Vega and Calderón
The Satires of Francisco de Quevedo
The Baroque in the Americas
Lima and Cuzco
Baroque Music in the Americas: Sor Juana Inés de la Cruz
The Churrigueresque Style: Retablos and Portals in New Spain
Chapter Review
Reading
24 The Rise of the Enlightenment in England The Claims of Reason
Learning Objectives
The New London: Absolutism Versus Liberalism
Absolutism versus Liberalism: Thomas Hobbes and John Locke
John Milton’s Paradise Lost
The English Enlightenment
Satire: Enlightenment Wit
Hogarth and the Popular Print
The Satires of Jonathan Swift
The Classical Wit of Alexander Pope
The English Garden
Isaac Newton: The Laws of Physics
The Industrial Revolution
Handel and the English Oratorio
Literacy and the New Print Culture
The Tatler and The Spectator
The Rise of the English Novel
Daniel Defoe’s Fictional Autobiographies
The Epistolary Novel: Samuel Richardson’s Pamela
The Comic Novels of Henry Fielding
The World of Provincial Gentry: Jane Austen’s Pride and Prejudice
Samuel Johnson: Stylist and Moralist
Exploration in the Enlightenment
Cook’s Encounters in the South Pacific
Polynesia and the Maori
Easter Island
Melanesia
Australia
Hawaii
Cook in the North Pacific
Chapter Review
Reading
25 The Rococo and the Enlightenment on the Continent Privilege and Reason
Learning Objectives
The Rococo
Rococo Painting in France: The Fête Galante and the Art of Love
Rococo Architecture and Landscape Design in Central Europe and England
Balthasar Neumann and Giovanni Tiepolo in Bavaria
Prussia and the Rococo
The Philosophes
Denis Diderot and the Encyclopédie
Jean-Jacques Rousseau and the Cost of the Social Contract
Voltaire and French Satire
Art Criticism and Theory
Gotthold Ephraim Lessing’s Laocoön
Rococo and Classical Music
The Symphonic Orchestra
Symphonic Form
The String Quartets of Joseph Haydn
Wolfgang Amadeus Mozart: Classical Complexity
The Popularization of Opera
Opera Seria versus Opera Buffa
Mozart’s Stylistic Synthesis
China and Europe: Cross-Cultural Contact
Chinoiserie
The Arts in the Qing Dynasty (1644–1911)
Chapter Review
Readings
26 The Rights of Man Revolution & the Neoclassical Style
Learning Objectives
The American and French Revolutions
The Road to Revolt in America: War and Taxation
The Declaration of Independence
The Declaration of the Rights of Man and Citizen
The Reign of Terror
The Rights of Woman
Olympe de Gouges: The Call for Universal Rights
Mary Wollstonecraft: An Englishwoman’s Response to the French Revolution
The Neoclassical Spirit
Neoclassicism and the American Political System
Neoclassical Values in Britain and America
The British Influence: Robert Adam and Josiah Wedgwood
American Neoclassical Architecture
Neoclassical Sculpture in America
Jacques-Louis David and the Neoclassical Style in France
Angelica Kauffmann
Napoleon and Neoclassical Paris
The Consulate and the Napoleonic Empire: 1799–1815
Art as Propaganda: Painting, Architecture, Sculpture
David as Chronicler of Napoleon’s Career
Ingres’s Glorification of the Emperor
Vignon’s La Madeleine
Canova and the Bonapartes
The Issue of Slavery
Autobiographical and Fictional Accounts of Slavery
The Argument for Slavery
The Abolitionist Movement in Britain and America
The African Diaspora
Chapter Review
Readings
Part Five Romanticism, Realism, and Empire 1800–1900
27 The Romantic World View The Self in Nature and the Nature of Self
Learning Objectives
The Romantic Imagination
The Idea of the Romantic: William Wordsworth’s “Tintern Abbey”
A Romantic Experiment: Lyrical Ballads
Romanticism as a Voyage of Discovery: Samuel Taylor Coleridge
Classical versus Romantic: The Odes of John Keats
The Romantic Landscape
John Constable: Painter of the English Countryside
Joseph Mallord William Turner: Colorist of the Imagination
The Romantic in Germany: Friedrich and Kant
Romanticism’s Darker Realities
The Romantic Hero
The Hegelian Dialectic and the “Great Man” Theory of History
The Promethean Idea in England: Lord Byron and the Shelleys
The Romantic Hero in Germany: Johann Wolfgang von Goethe’s Werther and Faust
Goya’s Tragic Vision
Goya before Napoleon: Social Satire
The Third of May, 1808 : Napoleon’s Spanish Legacy
The Black Paintings
Beethoven and the Rise of Romantic Music
Early Years in Vienna: From Classicism to Romanticism
The Heroic Decade: 1802–12
The Eroica
The Fifth Symphony
The Late Period: The Romantic in Music
Romantic Music after Beethoven
Hector Berlioz and Program Music
Felix Mendelssohn and the “Meaning” of Music
Song: Franz Schubert and the Schumanns
Piano Music: Frédéric Chopin
Chapter Review
Readings
28 Industry and the Working Class A New Realism
Learning Objectives
The Industrial City: Conditions in London
Water and Housing
Labor and Family Life
Reformists Respond: Utopian Socialism, Medievalism, and Christian Reform
Utopian Socialism
A.W.N. Pugin, Architecture, and the Medieval Model
Literary Realism
Charles Dickens’s Hard Times
French Literary Realism
French Painting: The Dialogue between Idealism and Realism
Théodore Géricault: Rejecting Classicism
The Aesthetic Expression of Politics: Delacroix versus Ingres
Liberty Leading the People
Caricature and Illustration: Honoré Daumier
Realist Painting: The Worker as Subject
Gustave Courbet: Against Idealism
Photography: Realism’s Pencil of Light
Chapter Review
Reading
29 Defining a Nation American National Identity and the Challenge of Civil War
Learning Objectives
American Landscape: The Cultivated and the Sublime
Washington Irving’s Satiric Vision
The Hudson River Painters
Transcendentalism and the American Romantics
The Philosophy of Romantic Idealism: Emerson and Thoreau
Herman Melville and the Uncertain World of Moby-Dick
The Abolitionist Movement
Frederick Douglass
Other Slave Narratives
Harriet Beecher Stowe and Uncle Tom’s Cabin
Agassiz versus Darwin
Romanticizing Slavery in Antebellum American Art and Music
Eastman Johnson: The Ambiguity of Negro Life in the South
Stephen Foster and the Minstrel Song
The Civil War
Representing the War
Winslow Homer’s Magazine Illustrations
Mathew Brady’s Photographers
Reconstruction
Mark Twain’s Adventures of Huckleberry Finn
Chapter Review
Readings
30 Global Confrontation and Modern Life The Quest for Cultural Identity
Learning Objectives
The Revolutions of 1848
Marxism
The Streets of Paris
The June Days in Paris: Worker Defeat and the Rise of Louis-Napoleon
The Haussmannization of Paris
Revolution across Europe: The Rise of Nationalism
Paris in the 1850s and 1860s
George Sand: Politics and the Female Voice
Charles Baudelaire and the Poetry of Modern Life
Édouard Manet: The Painter of Modern Life
Émile Zola and the Naturalist Novel
Nationalism and the Politics of Opera
Giuseppe Verdi and the Grand Opera
Wagner’s Music Drama Meets the Jockey Club
Wagner’s Music Drama
Operetta: Jacques Offenbach and Musical Satire
Empire and the Colonial Aspirations of the West
The British in China and India
China and the Opium War
Indentured Labor and Mass Migration
The Brief Rise and Quick Fall of Egypt
The Opening of Japan
Industrialization: The Shifting Political Climate
Japanese Printmaking
Chapter Review
Reading
31 The Promise of Renewal Hope and Possibility in Late Nineteenth-Century Europe
Learning Objectives
French Impressionism
Monet’s Escape to Giverny
Morisot and Pissarro: The Effects of Paint
Painting Leisure: Renoir and Degas
Painting Work: Degas and Caillebotte
Manet’s Response to Impressionism
Russian Realism and the Quest for the Russian Soul
The Writer and Artist under the Tsars
The Psychological Realism of Dostoyevsky
The Historical Realism of Tolstoy
The Travelers: Realist Painters of Social Issues
Russian Nationalist Music and Ballet
Britain and the Design of Social Reform
Morris, the Guild Movement, and the Pre-Raphaelites
John Stuart Mill: Women’s Rights and the Question of Liberty
Chapter Review
Reading
32 The Course of Empire Expansion and Conflict in America
Learning Objectives
The Native American in Myth and Reality
The Indian Removal Act
Recording Native Americans: Catlin’s Ethnographic Enterprise
Huron Moccasins: The Influence of European Styles on Native American Art
Plains Narrative Painting: Picturing Personal History and Change
Women’s Arts on the Plains: Quillwork and Beadwork
Weaving and Basketry
The End of an Era
Walt Whitman’s America
Leaves of Grass
In the Interest of Liberty: An Era of Contradictions
The Statue of Liberty and Tammany Hall
Economic Depression, Strikes, and the Haymarket Riot
The American Woman
Representing the Tension between Genders
Emily Dickinson: The Poetry of Enigma
Kate Chopin and the New Feminist Novel
Ragtime and the Beginnings of Jazz
The American Abroad
Henry James and the International Novel
Painters Abroad: The Expatriate Vision
Chicago and the Columbian Exposition of 1893
Louis Sullivan and the Chicago School of Architecture
Frederick Law Olmsted and the Invention of Suburbia
Chapter Review
Readings
33 The Fin de Siècle Toward the Modern
Learning Objectives
The Fin De Siècle: From Naturalism to Symbolism
Art Nouveau
Exposing Society’s Secrets: The Plays of Henrik Ibsen
The Symbolist Imagination in the Arts
The Sculpture of Rodin
Rodin, Lautrec, and the World of Montmartre
Mallarmé’s Poetry
The Music of Debussy
Post-Impressionist Painting
Pointillism: Seurat and the Harmonies of Color
Symbolic Color: Van Gogh
The Structure of Color: Cézanne
Closer Look: Cézanne’s Still Life with Plaster Cast
Escape to Far Tahiti: Gauguin
The Late Monet
Toward the Modern
The New Moral World of Nietzsche
On the Cusp of Modern Music: Mahler and Brahms
The Painting of Isolation: Munch
Africa and Empire
European Imperialism
Social Darwinism: The Theoretical Justification for Imperialism
Joseph Conrad’s Heart of Darkness
Chapter Review
Readings
Part Six Modernism and the Globalization of Cultures 1900 To the Present
34 The Era of Invention Paris and the Modern World
Learning Objectives
Pablo Picasso’s Paris: At the Heart of the Modern
The Aggressive New Modern Art: Les Demoiselles d’Avignon
Matisse and the Fauves: A New Color
The Invention of Cubism: Braque’s Partnership with Picasso
Abstraction and Collage
Futurism: The Cult of Speed
Modernist Music and Dance: Stravinsky and the Ballets Russes
The Expressionist Movement: Modernism in Germany and Austria
Die Brücke: The Art of Deliberate Crudeness
Der Blaue Reiter: The Spirituality of Color
A Diversity of Sound: Schoenberg’s New Atonal Music versus Puccini’s Lyricism
Early Twentieth-Century Literature
Guillaume Apollinaire and Cubist Poetics
Ezra Pound and the Imagists
The Origins of Cinema
The Lumière Brothers’ Celluloid Film Movie Projector
The Nickelodeon: Movies for the Masses
D.W. Griffith and Cinematic Space
Chapter Review
Reading
35 The Great War and Its Impact A Lost Generation and a New Imagination
Learning Objectives
Trench Warfare and the Literary Imagination
Wilfred Owen: “The Pity of War”
In the Trenches: Remarque’s All Quiet on the Western Front
William Butler Yeats and the Specter of Collapse
T.S. Eliot: The Landscape of Desolation
Escape From Despair: Dada in the Capitals
Russia: Art and Revolution
Vladimir Lenin and the Soviet State
The Arts of the Revolution
From Suprematism to Constructivism
The New Russian Cinema
Freud, Jung, and the Art of the Unconscious
Freud’s Civilization and Its Discontents
The Jungian Archetype
The Dreamwork of Surrealism
Picasso and Miró
Salvador Dalí’s Lugubrious Game
Surrealist Sculpture
Experimentation and the Literary Life: The stream-of-consciousness Novel
Joyce, Ulysses, and Sylvia Beach
Virginia Woolf: In the Mind of Mrs. Dalloway
Marcel Proust and the Novel of Memory
Chapter Review
Readings
36 New York, Skyscraper Culture, and the Jazz Age Making It New
Learning Objectives
The Harlem Renaissance
“The New Negro”
Langston Hughes and the Poetry of Jazz
Zora Neale Hurston and the Voices of Folklore
The Quilts of Gee’s Bend
All That Jazz
The Blues and Their “Empress,” Bessie Smith
Dixieland and Louis Armstrong in Chicago
Swing: Duke Ellington at the Cotton Club
The Visual Arts in Harlem
Skyscraper and Machine: Architecture in New York
The Machine Aesthetic
The International Style
Making it New: The Art of Place
The New American Novel and Its Tragic Sense of Place
Fitzgerald and The Great Gatsby
Hemingway’s Michigan
William Faulkner and the Southern Novel
The New American Poetry and the Machine Aesthetic
William Carlos Williams and the Poetry of the Everyday
E.E. Cummings and the Pleasures of Typography
Hart Crane and The Bridge
The New American Painting: “That, Madam … is paint.”
Charles Demuth, Charles Sheeler, and the Industrial Scene
Marsden Hartley and the Influence of Cézanne
Georgia O’Keeffe and the Question of Gender
The American Stage: Eugene O’Neill
The Golden Age of Silent Film
The Americanization of a Medium
The Studios and the Star System
Audience and Expectation: Hollywood’s Genres
Cinema in Europe
German Expressionism
Surrealist Film
Chapter Review
Readings
37 The Age of Anxiety Fascism and Depression, Holocaust and Bomb
Learning Objectives
The Glitter and Angst of Berlin
Kafka’s Nightmare Worlds
Brecht and the Berlin Stage
Kollwitz and the Expressionist Print
The Rise of Fascism
Hitler in Germany
Anti-Semitism
The Bauhaus and De Stijl
L’Esprit Nouveau and the Rise of the International Style
The Degenerate Art Exhibition
The Art of Propaganda
Stalin in Russia
The Collectivization of Agriculture
The Rise of Social Realism in Art and Music
Mussolini in Italy
Franco in Spain
Revolution in Mexico
The Mexican Mural Movement
The Private World of Frida Kahlo
The Great Depression in America
The Road to Recovery: The New Deal
The Mural Movement
The Music Project: Aaron Copland’s American Music
The Dust Bowl in Film and Literature
Photography and the American Scene
Cinema: The Talkies and Color
Sound and Language
The Jazz Singer: The First Feature-Length Talkie
The Blue Angel
Disney’s Color Animation
1939: The Great Year
The Wizard of Oz
Gone with the Wind
The Rules of the Game
Orson Welles and Citizen Kane
World War II
The Holocaust
The War in the Pacific
The Allied Victory
Decolonization and Liberation
Bearing Witness: Reactions to the War
Wiesel’s Night
Resnais’s Night and Fog
The Japanese Response
Chapter Review
Reading
38 After the War Existential Doubt, Artistic Triumph, and the Culture of Consumption
Learning Objectives
Europe After the War: The Existential Quest
Christian Existentialism: Kierkegaard, Niebuhr, and Tillich
The Philosophy of Sartre: Atheistic Existentialism
De Beauvoir and Existential Feminism
The Art of Existentialism
The Literature of Existentialism
America After the War: Triumph and Doubt
The Triumph of American Art: Abstract Expressionism
Action Painting: Pollock and de Kooning
Women Abstract Expressionists
The Color-Field Painting of Rothko and Frankenthaler
The Dynamic Sculpture of Calder and Smith
The Beat Generation and the Art of Inclusiveness
Robert Frank and Jack Kerouac
Ginsberg and “Howl”
John Cage: The Aesthetics of Chance and the Art of Inclusiveness
The Art of Collaboration
Johns and the Obvious Image
Allan Kaprow and the Happening
Architecture in the 1950s
Pop Art
Two Marilyns: Warhol and Rosenquist
Lichtenstein and Oldenburg
Minimalism in ART
Chapter Review
Reading
39 Multiplicity and Diversity Cultures of Liberation and Identity in the 1960s and 1970s
Learning Objectives
Black Identity
Sartre’s “Black Orpheus”
Asserting Blackness in Art and Literature
The Vietnam War: Rebellion and the Arts
Kurt Vonnegut’s Slaughterhouse-Five
Artists Against the War
Conceptual Art
Land Art
The Music of Youth and Rebellion
High and Low: The Example of Music
György Ligeti and Minimalist Music
The Theatrical and the New Gesamtkunstwerk
The Birth of the Feminist Era
The Theoretical Framework: Betty Friedan & NOW
Feminist Poetry
Feminist Art
Questions of Male Identity
Chapter Review
Reading
40 Without Boundaries Multiple Meanings in a Postmodern World
Learning Objectives
Postmodern Architecture: Complexity, Contradiction, and Globalization
Frank Gehry, Santiago Calatrava, and International Competitions
The Green Architecture Movement
Pluralism and Postmodern Theory
Structuralism and the Linguistic Study of Signs
Deconstruction and Poststructuralism
Chaos Theory
The Human Genome
Pluralism and Diversity in the Arts
A Plurality of Styles in Painting
Abstraction as Meditative Space
Graffiti and Street Art
Multiplicity in Postmodern Literature
Postmodern Fiction
Postmodern Poetry
Postcolonialism, Identity, and the Arts
Contesting the Postcolonial Self
The Global Marketplace and the Commodification of Culture
The Plural Self in the Americas
The Latino and Hispanic Presence in the United States
Recovering Tradition: Contemporary Native American Art
New African-American Identities
A Multiplicity of Media: New Technologies
Video as Medium
The Computer and New Media
Chapter Review
Reading
Index
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
Y
Z
Photo Credits
Part Four
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Part Five
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Part Six
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Text Credits
Chapter 21
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 29
Chapter 30
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40