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Test Bank for The Humanities: Culture, Continuity, and Change, Volume 2 4th Edition Sayre

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Product Details:

  • ISBN-10 ‏ : ‎ 0134789431
  • ISBN-13 ‏ : ‎ 978-0134789439
  • Author:   Henry M. Sayre

For courses in Introduction to the Humanities   See context and make connections across the humanities The Humanities: Culture, Continuity, and Change leads students on a journey through countless “ah-ha” moments as they piece together the cultural history of the world. Believing that students learn best by remembering stories rather than memorizing facts, author Henry Sayre deftly conveys multifaceted cultural experiences via a storytelling approach that students will remember – during the course and beyond. Updated with numerous new images and examples, the  4th Edition analyzes recent works such as Lin-Manuel Miranda’s  Hamilton: An American Musical to help students see how course concepts can help them understand resonant contemporary works.

 

Table of Content:

  1. Part Four Excess, Inquiry, and Restraint 1600–1800
  2. 21 The Baroque in Italy The Church and Its Appeal
  3. Learning Objectives
  4. Baroque Style and the Counter-Reformation
  5. Sculpture and Architecture: Bernini and His Followers
  6. The Society of Jesus
  7. San Carlo alle Quattro Fontane
  8. The Drama of Painting: Caravaggio and the Caravaggisti
  9. Master of Light and Dark: Caravaggio
  10. The Baroque and Sexuality: Caravaggio and the Metaphysical Poetry of John Donne
  11. Elisabetta Sirani and Artemisia Gentileschi: Caravaggisti Women
  12. Venice and Baroque Music
  13. Giovanni Gabrieli and the Drama of Harmony
  14. Claudio Monteverdi and the Birth of Opera
  15. Arcangelo Corelli and the Sonata
  16. Antonio Vivaldi and the Concerto
  17. Chapter Review
  18. Reading
  19. 22 The Secular Baroque in the North The Art of Observation
  20. Learning Objectives
  21. Calvinist Amsterdam: City of Contradictions
  22. Gaining Independence from Spain
  23. The Dutch East India Company in Batavia
  24. Tulipomania
  25. The Dutch Reformed Church: Strict Doctrine and Whitewashed Spaces
  26. The Science of Observation
  27. Francis Bacon and the Empirical Method
  28. René Descartes and the Deductive Method
  29. Johannes Kepler, Galileo Galilei, and the Telescope
  30. Antoni van Leeuwenhoek, Robert Hooke, and the Microscope
  31. Dutch Vernacular Painting: Art of the Familiar
  32. Still Life
  33. Landscapes
  34. Genre Scenes
  35. Johannes Vermeer and the Domestic Scene
  36. The Group Portrait
  37. Rembrandt van Rijn and the Drama of Light
  38. The Drama of Light
  39. Rembrandt and the Self-Portrait
  40. The Baroque Keyboard
  41. Jan Pieterszoon Sweelinck’s Fantasias for the Organ
  42. The North German School: Johann Sebastian Bach
  43. Vocal Music
  44. Instrumental Music
  45. Chapter Review
  46. Reading
  47. 23 The Baroque Court Absolute Power and Royal Patronage
  48. Learning Objectives
  49. Absolutism and the Arts: Louis XIV and the French Court
  50. The Tastes of Louis XIV
  51. The Painting of Peter Paul Rubens: Color and Sensuality
  52. The Painting of Nicolas Poussin: Classical Decorum
  53. Music and Dance at the Court of Louis XIV
  54. Dance Forms
  55. Theater at the French Court
  56. The Art and Politics of the English Court
  57. Anthony van Dyck: Court Painter
  58. Puritan and Cavalier Literature
  59. Henry Purcell and English Opera
  60. The Arts of the Spanish Court
  61. Diego Velázquez and the Royal Portrait
  62. The Literature of the Spanish Court
  63. The Plays of Lope de Vega and Calderón
  64. The Satires of Francisco de Quevedo
  65. The Baroque in the Americas
  66. Lima and Cuzco
  67. Baroque Music in the Americas: Sor Juana Inés de la Cruz
  68. The Churrigueresque Style: Retablos and Portals in New Spain
  69. Chapter Review
  70. Reading
  71. 24 The Rise of the Enlightenment in England The Claims of Reason
  72. Learning Objectives
  73. The New London: Absolutism Versus Liberalism
  74. Absolutism versus Liberalism: Thomas Hobbes and John Locke
  75. John Milton’s Paradise Lost
  76. The English Enlightenment
  77. Satire: Enlightenment Wit
  78. Hogarth and the Popular Print
  79. The Satires of Jonathan Swift
  80. The Classical Wit of Alexander Pope
  81. The English Garden
  82. Isaac Newton: The Laws of Physics
  83. The Industrial Revolution
  84. Handel and the English Oratorio
  85. Literacy and the New Print Culture
  86. The Tatler and The Spectator
  87. The Rise of the English Novel
  88. Daniel Defoe’s Fictional Autobiographies
  89. The Epistolary Novel: Samuel Richardson’s Pamela
  90. The Comic Novels of Henry Fielding
  91. The World of Provincial Gentry: Jane Austen’s Pride and Prejudice
  92. Samuel Johnson: Stylist and Moralist
  93. Exploration in the Enlightenment
  94. Cook’s Encounters in the South Pacific
  95. Polynesia and the Maori
  96. Easter Island
  97. Melanesia
  98. Australia
  99. Hawaii
  100. Cook in the North Pacific
  101. Chapter Review
  102. Reading
  103. 25 The Rococo and the Enlightenment on the Continent Privilege and Reason
  104. Learning Objectives
  105. The Rococo
  106. Rococo Painting in France: The Fête Galante and the Art of Love
  107. Rococo Architecture and Landscape Design in Central Europe and England
  108. Balthasar Neumann and Giovanni Tiepolo in Bavaria
  109. Prussia and the Rococo
  110. The Philosophes
  111. Denis Diderot and the Encyclopédie
  112. Jean-Jacques Rousseau and the Cost of the Social Contract
  113. Voltaire and French Satire
  114. Art Criticism and Theory
  115. Gotthold Ephraim Lessing’s Laocoön
  116. Rococo and Classical Music
  117. The Symphonic Orchestra
  118. Symphonic Form
  119. The String Quartets of Joseph Haydn
  120. Wolfgang Amadeus Mozart: Classical Complexity
  121. The Popularization of Opera
  122. Opera Seria versus Opera Buffa
  123. Mozart’s Stylistic Synthesis
  124. China and Europe: Cross-Cultural Contact
  125. Chinoiserie
  126. The Arts in the Qing Dynasty (1644–1911)
  127. Chapter Review
  128. Readings
  129. 26 The Rights of Man Revolution & the Neoclassical Style
  130. Learning Objectives
  131. The American and French Revolutions
  132. The Road to Revolt in America: War and Taxation
  133. The Declaration of Independence
  134. The Declaration of the Rights of Man and Citizen
  135. The Reign of Terror
  136. The Rights of Woman
  137. Olympe de Gouges: The Call for Universal Rights
  138. Mary Wollstonecraft: An Englishwoman’s Response to the French Revolution
  139. The Neoclassical Spirit
  140. Neoclassicism and the American Political System
  141. Neoclassical Values in Britain and America
  142. The British Influence: Robert Adam and Josiah Wedgwood
  143. American Neoclassical Architecture
  144. Neoclassical Sculpture in America
  145. Jacques-Louis David and the Neoclassical Style in France
  146. Angelica Kauffmann
  147. Napoleon and Neoclassical Paris
  148. The Consulate and the Napoleonic Empire: 1799–1815
  149. Art as Propaganda: Painting, Architecture, Sculpture
  150. David as Chronicler of Napoleon’s Career
  151. Ingres’s Glorification of the Emperor
  152. Vignon’s La Madeleine
  153. Canova and the Bonapartes
  154. The Issue of Slavery
  155. Autobiographical and Fictional Accounts of Slavery
  156. The Argument for Slavery
  157. The Abolitionist Movement in Britain and America
  158. The African Diaspora
  159. Chapter Review
  160. Readings
  161. Part Five Romanticism, Realism, and Empire 1800–1900
  162. 27 The Romantic World View The Self in Nature and the Nature of Self
  163. Learning Objectives
  164. The Romantic Imagination
  165. The Idea of the Romantic: William Wordsworth’s “Tintern Abbey”
  166. A Romantic Experiment: Lyrical Ballads
  167. Romanticism as a Voyage of Discovery: Samuel Taylor Coleridge
  168. Classical versus Romantic: The Odes of John Keats
  169. The Romantic Landscape
  170. John Constable: Painter of the English Countryside
  171. Joseph Mallord William Turner: Colorist of the Imagination
  172. The Romantic in Germany: Friedrich and Kant
  173. Romanticism’s Darker Realities
  174. The Romantic Hero
  175. The Hegelian Dialectic and the “Great Man” Theory of History
  176. The Promethean Idea in England: Lord Byron and the Shelleys
  177. The Romantic Hero in Germany: Johann Wolfgang von Goethe’s Werther and Faust
  178. Goya’s Tragic Vision
  179. Goya before Napoleon: Social Satire
  180. The Third of May, 1808 : Napoleon’s Spanish Legacy
  181. The Black Paintings
  182. Beethoven and the Rise of Romantic Music
  183. Early Years in Vienna: From Classicism to Romanticism
  184. The Heroic Decade: 1802–12
  185. The Eroica
  186. The Fifth Symphony
  187. The Late Period: The Romantic in Music
  188. Romantic Music after Beethoven
  189. Hector Berlioz and Program Music
  190. Felix Mendelssohn and the “Meaning” of Music
  191. Song: Franz Schubert and the Schumanns
  192. Piano Music: Frédéric Chopin
  193. Chapter Review
  194. Readings
  195. 28 Industry and the Working Class A New Realism
  196. Learning Objectives
  197. The Industrial City: Conditions in London
  198. Water and Housing
  199. Labor and Family Life
  200. Reformists Respond: Utopian Socialism, Medievalism, and Christian Reform
  201. Utopian Socialism
  202. A.W.N. Pugin, Architecture, and the Medieval Model
  203. Literary Realism
  204. Charles Dickens’s Hard Times
  205. French Literary Realism
  206. French Painting: The Dialogue between Idealism and Realism
  207. Théodore Géricault: Rejecting Classicism
  208. The Aesthetic Expression of Politics: Delacroix versus Ingres
  209. Liberty Leading the People
  210. Caricature and Illustration: Honoré Daumier
  211. Realist Painting: The Worker as Subject
  212. Gustave Courbet: Against Idealism
  213. Photography: Realism’s Pencil of Light
  214. Chapter Review
  215. Reading
  216. 29 Defining a Nation American National Identity and the Challenge of Civil War
  217. Learning Objectives
  218. American Landscape: The Cultivated and the Sublime
  219. Washington Irving’s Satiric Vision
  220. The Hudson River Painters
  221. Transcendentalism and the American Romantics
  222. The Philosophy of Romantic Idealism: Emerson and Thoreau
  223. Herman Melville and the Uncertain World of Moby-Dick
  224. The Abolitionist Movement
  225. Frederick Douglass
  226. Other Slave Narratives
  227. Harriet Beecher Stowe and Uncle Tom’s Cabin
  228. Agassiz versus Darwin
  229. Romanticizing Slavery in Antebellum American Art and Music
  230. Eastman Johnson: The Ambiguity of Negro Life in the South
  231. Stephen Foster and the Minstrel Song
  232. The Civil War
  233. Representing the War
  234. Winslow Homer’s Magazine Illustrations
  235. Mathew Brady’s Photographers
  236. Reconstruction
  237. Mark Twain’s Adventures of Huckleberry Finn
  238. Chapter Review
  239. Readings
  240. 30 Global Confrontation and Modern Life The Quest for Cultural Identity
  241. Learning Objectives
  242. The Revolutions of 1848
  243. Marxism
  244. The Streets of Paris
  245. The June Days in Paris: Worker Defeat and the Rise of Louis-Napoleon
  246. The Haussmannization of Paris
  247. Revolution across Europe: The Rise of Nationalism
  248. Paris in the 1850s and 1860s
  249. George Sand: Politics and the Female Voice
  250. Charles Baudelaire and the Poetry of Modern Life
  251. Édouard Manet: The Painter of Modern Life
  252. Émile Zola and the Naturalist Novel
  253. Nationalism and the Politics of Opera
  254. Giuseppe Verdi and the Grand Opera
  255. Wagner’s Music Drama Meets the Jockey Club
  256. Wagner’s Music Drama
  257. Operetta: Jacques Offenbach and Musical Satire
  258. Empire and the Colonial Aspirations of the West
  259. The British in China and India
  260. China and the Opium War
  261. Indentured Labor and Mass Migration
  262. The Brief Rise and Quick Fall of Egypt
  263. The Opening of Japan
  264. Industrialization: The Shifting Political Climate
  265. Japanese Printmaking
  266. Chapter Review
  267. Reading
  268. 31 The Promise of Renewal Hope and Possibility in Late Nineteenth-Century Europe
  269. Learning Objectives
  270. French Impressionism
  271. Monet’s Escape to Giverny
  272. Morisot and Pissarro: The Effects of Paint
  273. Painting Leisure: Renoir and Degas
  274. Painting Work: Degas and Caillebotte
  275. Manet’s Response to Impressionism
  276. Russian Realism and the Quest for the Russian Soul
  277. The Writer and Artist under the Tsars
  278. The Psychological Realism of Dostoyevsky
  279. The Historical Realism of Tolstoy
  280. The Travelers: Realist Painters of Social Issues
  281. Russian Nationalist Music and Ballet
  282. Britain and the Design of Social Reform
  283. Morris, the Guild Movement, and the Pre-Raphaelites
  284. John Stuart Mill: Women’s Rights and the Question of Liberty
  285. Chapter Review
  286. Reading
  287. 32 The Course of Empire Expansion and Conflict in America
  288. Learning Objectives
  289. The Native American in Myth and Reality
  290. The Indian Removal Act
  291. Recording Native Americans: Catlin’s Ethnographic Enterprise
  292. Huron Moccasins: The Influence of European Styles on Native American Art
  293. Plains Narrative Painting: Picturing Personal History and Change
  294. Women’s Arts on the Plains: Quillwork and Beadwork
  295. Weaving and Basketry
  296. The End of an Era
  297. Walt Whitman’s America
  298. Leaves of Grass
  299. In the Interest of Liberty: An Era of Contradictions
  300. The Statue of Liberty and Tammany Hall
  301. Economic Depression, Strikes, and the Haymarket Riot
  302. The American Woman
  303. Representing the Tension between Genders
  304. Emily Dickinson: The Poetry of Enigma
  305. Kate Chopin and the New Feminist Novel
  306. Ragtime and the Beginnings of Jazz
  307. The American Abroad
  308. Henry James and the International Novel
  309. Painters Abroad: The Expatriate Vision
  310. Chicago and the Columbian Exposition of 1893
  311. Louis Sullivan and the Chicago School of Architecture
  312. Frederick Law Olmsted and the Invention of Suburbia
  313. Chapter Review
  314. Readings
  315. 33 The Fin de Siècle Toward the Modern
  316. Learning Objectives
  317. The Fin De Siècle: From Naturalism to Symbolism
  318. Art Nouveau
  319. Exposing Society’s Secrets: The Plays of Henrik Ibsen
  320. The Symbolist Imagination in the Arts
  321. The Sculpture of Rodin
  322. Rodin, Lautrec, and the World of Montmartre
  323. Mallarmé’s Poetry
  324. The Music of Debussy
  325. Post-Impressionist Painting
  326. Pointillism: Seurat and the Harmonies of Color
  327. Symbolic Color: Van Gogh
  328. The Structure of Color: Cézanne
  329. Closer Look: Cézanne’s Still Life with Plaster Cast
  330. Escape to Far Tahiti: Gauguin
  331. The Late Monet
  332. Toward the Modern
  333. The New Moral World of Nietzsche
  334. On the Cusp of Modern Music: Mahler and Brahms
  335. The Painting of Isolation: Munch
  336. Africa and Empire
  337. European Imperialism
  338. Social Darwinism: The Theoretical Justification for Imperialism
  339. Joseph Conrad’s Heart of Darkness
  340. Chapter Review
  341. Readings
  342. Part Six Modernism and the Globalization of Cultures 1900 To the Present
  343. 34 The Era of Invention Paris and the Modern World
  344. Learning Objectives
  345. Pablo Picasso’s Paris: At the Heart of the Modern
  346. The Aggressive New Modern Art: Les Demoiselles d’Avignon
  347. Matisse and the Fauves: A New Color
  348. The Invention of Cubism: Braque’s Partnership with Picasso
  349. Abstraction and Collage
  350. Futurism: The Cult of Speed
  351. Modernist Music and Dance: Stravinsky and the Ballets Russes
  352. The Expressionist Movement: Modernism in Germany and Austria
  353. Die Brücke: The Art of Deliberate Crudeness
  354. Der Blaue Reiter: The Spirituality of Color
  355. A Diversity of Sound: Schoenberg’s New Atonal Music versus Puccini’s Lyricism
  356. Early Twentieth-Century Literature
  357. Guillaume Apollinaire and Cubist Poetics
  358. Ezra Pound and the Imagists
  359. The Origins of Cinema
  360. The Lumière Brothers’ Celluloid Film Movie Projector
  361. The Nickelodeon: Movies for the Masses
  362. D.W. Griffith and Cinematic Space
  363. Chapter Review
  364. Reading
  365. 35 The Great War and Its Impact A Lost Generation and a New Imagination
  366. Learning Objectives
  367. Trench Warfare and the Literary Imagination
  368. Wilfred Owen: “The Pity of War”
  369. In the Trenches: Remarque’s All Quiet on the Western Front
  370. William Butler Yeats and the Specter of Collapse
  371. T.S. Eliot: The Landscape of Desolation
  372. Escape From Despair: Dada in the Capitals
  373. Russia: Art and Revolution
  374. Vladimir Lenin and the Soviet State
  375. The Arts of the Revolution
  376. From Suprematism to Constructivism
  377. The New Russian Cinema
  378. Freud, Jung, and the Art of the Unconscious
  379. Freud’s Civilization and Its Discontents
  380. The Jungian Archetype
  381. The Dreamwork of Surrealism
  382. Picasso and Miró
  383. Salvador Dalí’s Lugubrious Game
  384. Surrealist Sculpture
  385. Experimentation and the Literary Life: The stream-of-consciousness Novel
  386. Joyce, Ulysses, and Sylvia Beach
  387. Virginia Woolf: In the Mind of Mrs. Dalloway
  388. Marcel Proust and the Novel of Memory
  389. Chapter Review
  390. Readings
  391. 36 New York, Skyscraper Culture, and the Jazz Age Making It New
  392. Learning Objectives
  393. The Harlem Renaissance
  394. “The New Negro”
  395. Langston Hughes and the Poetry of Jazz
  396. Zora Neale Hurston and the Voices of Folklore
  397. The Quilts of Gee’s Bend
  398. All That Jazz
  399. The Blues and Their “Empress,” Bessie Smith
  400. Dixieland and Louis Armstrong in Chicago
  401. Swing: Duke Ellington at the Cotton Club
  402. The Visual Arts in Harlem
  403. Skyscraper and Machine: Architecture in New York
  404. The Machine Aesthetic
  405. The International Style
  406. Making it New: The Art of Place
  407. The New American Novel and Its Tragic Sense of Place
  408. Fitzgerald and The Great Gatsby
  409. Hemingway’s Michigan
  410. William Faulkner and the Southern Novel
  411. The New American Poetry and the Machine Aesthetic
  412. William Carlos Williams and the Poetry of the Everyday
  413. E.E. Cummings and the Pleasures of Typography
  414. Hart Crane and The Bridge
  415. The New American Painting: “That, Madam … is paint.”
  416. Charles Demuth, Charles Sheeler, and the Industrial Scene
  417. Marsden Hartley and the Influence of Cézanne
  418. Georgia O’Keeffe and the Question of Gender
  419. The American Stage: Eugene O’Neill
  420. The Golden Age of Silent Film
  421. The Americanization of a Medium
  422. The Studios and the Star System
  423. Audience and Expectation: Hollywood’s Genres
  424. Cinema in Europe
  425. German Expressionism
  426. Surrealist Film
  427. Chapter Review
  428. Readings
  429. 37 The Age of Anxiety Fascism and Depression, Holocaust and Bomb
  430. Learning Objectives
  431. The Glitter and Angst of Berlin
  432. Kafka’s Nightmare Worlds
  433. Brecht and the Berlin Stage
  434. Kollwitz and the Expressionist Print
  435. The Rise of Fascism
  436. Hitler in Germany
  437. Anti-Semitism
  438. The Bauhaus and De Stijl
  439. L’Esprit Nouveau and the Rise of the International Style
  440. The Degenerate Art Exhibition
  441. The Art of Propaganda
  442. Stalin in Russia
  443. The Collectivization of Agriculture
  444. The Rise of Social Realism in Art and Music
  445. Mussolini in Italy
  446. Franco in Spain
  447. Revolution in Mexico
  448. The Mexican Mural Movement
  449. The Private World of Frida Kahlo
  450. The Great Depression in America
  451. The Road to Recovery: The New Deal
  452. The Mural Movement
  453. The Music Project: Aaron Copland’s American Music
  454. The Dust Bowl in Film and Literature
  455. Photography and the American Scene
  456. Cinema: The Talkies and Color
  457. Sound and Language
  458. The Jazz Singer: The First Feature-Length Talkie
  459. The Blue Angel
  460. Disney’s Color Animation
  461. 1939: The Great Year
  462. The Wizard of Oz
  463. Gone with the Wind
  464. The Rules of the Game
  465. Orson Welles and Citizen Kane
  466. World War II
  467. The Holocaust
  468. The War in the Pacific
  469. The Allied Victory
  470. Decolonization and Liberation
  471. Bearing Witness: Reactions to the War
  472. Wiesel’s Night
  473. Resnais’s Night and Fog
  474. The Japanese Response
  475. Chapter Review
  476. Reading
  477. 38 After the War Existential Doubt, Artistic Triumph, and the Culture of Consumption
  478. Learning Objectives
  479. Europe After the War: The Existential Quest
  480. Christian Existentialism: Kierkegaard, Niebuhr, and Tillich
  481. The Philosophy of Sartre: Atheistic Existentialism
  482. De Beauvoir and Existential Feminism
  483. The Art of Existentialism
  484. The Literature of Existentialism
  485. America After the War: Triumph and Doubt
  486. The Triumph of American Art: Abstract Expressionism
  487. Action Painting: Pollock and de Kooning
  488. Women Abstract Expressionists
  489. The Color-Field Painting of Rothko and Frankenthaler
  490. The Dynamic Sculpture of Calder and Smith
  491. The Beat Generation and the Art of Inclusiveness
  492. Robert Frank and Jack Kerouac
  493. Ginsberg and “Howl”
  494. John Cage: The Aesthetics of Chance and the Art of Inclusiveness
  495. The Art of Collaboration
  496. Johns and the Obvious Image
  497. Allan Kaprow and the Happening
  498. Architecture in the 1950s
  499. Pop Art
  500. Two Marilyns: Warhol and Rosenquist
  501. Lichtenstein and Oldenburg
  502. Minimalism in ART
  503. Chapter Review
  504. Reading
  505. 39 Multiplicity and Diversity Cultures of Liberation and Identity in the 1960s and 1970s
  506. Learning Objectives
  507. Black Identity
  508. Sartre’s “Black Orpheus”
  509. Asserting Blackness in Art and Literature
  510. The Vietnam War: Rebellion and the Arts
  511. Kurt Vonnegut’s Slaughterhouse-Five
  512. Artists Against the War
  513. Conceptual Art
  514. Land Art
  515. The Music of Youth and Rebellion
  516. High and Low: The Example of Music
  517. György Ligeti and Minimalist Music
  518. The Theatrical and the New Gesamtkunstwerk
  519. The Birth of the Feminist Era
  520. The Theoretical Framework: Betty Friedan & NOW
  521. Feminist Poetry
  522. Feminist Art
  523. Questions of Male Identity
  524. Chapter Review
  525. Reading
  526. 40 Without Boundaries Multiple Meanings in a Postmodern World
  527. Learning Objectives
  528. Postmodern Architecture: Complexity, Contradiction, and Globalization
  529. Frank Gehry, Santiago Calatrava, and International Competitions
  530. The Green Architecture Movement
  531. Pluralism and Postmodern Theory
  532. Structuralism and the Linguistic Study of Signs
  533. Deconstruction and Poststructuralism
  534. Chaos Theory
  535. The Human Genome
  536. Pluralism and Diversity in the Arts
  537. A Plurality of Styles in Painting
  538. Abstraction as Meditative Space
  539. Graffiti and Street Art
  540. Multiplicity in Postmodern Literature
  541. Postmodern Fiction
  542. Postmodern Poetry
  543. Postcolonialism, Identity, and the Arts
  544. Contesting the Postcolonial Self
  545. The Global Marketplace and the Commodification of Culture
  546. The Plural Self in the Americas
  547. The Latino and Hispanic Presence in the United States
  548. Recovering Tradition: Contemporary Native American Art
  549. New African-American Identities
  550. A Multiplicity of Media: New Technologies
  551. Video as Medium
  552. The Computer and New Media
  553. Chapter Review
  554. Reading
  555. Index
  556. A
  557. B
  558. C
  559. D
  560. E
  561. F
  562. G
  563. H
  564. I
  565. J
  566. K
  567. L
  568. M
  569. N
  570. O
  571. P
  572. Q
  573. R
  574. S
  575. T
  576. U
  577. V
  578. W
  579. Y
  580. Z
  581. Photo Credits
  582. Part Four
  583. Chapter 21
  584. Chapter 22
  585. Chapter 23
  586. Chapter 24
  587. Chapter 25
  588. Chapter 26
  589. Part Five
  590. Chapter 27
  591. Chapter 28
  592. Chapter 29
  593. Chapter 30
  594. Chapter 31
  595. Chapter 32
  596. Chapter 33
  597. Part Six
  598. Chapter 34
  599. Chapter 35
  600. Chapter 36
  601. Chapter 37
  602. Chapter 38
  603. Chapter 39
  604. Chapter 40
  605. Text Credits
  606. Chapter 21
  607. Chapter 23
  608. Chapter 24
  609. Chapter 25
  610. Chapter 26
  611. Chapter 27
  612. Chapter 29
  613. Chapter 30
  614. Chapter 32
  615. Chapter 33
  616. Chapter 34
  617. Chapter 35
  618. Chapter 36
  619. Chapter 37
  620. Chapter 38
  621. Chapter 39
  622. Chapter 40

 

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Test Bank for Strategic Management: A Competitive Advantage Approach, Concepts, 15/E 15th Edition Fred R. David, Forest R. David

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Test Bank for Clinical Nursing Skills, 8th Edition: Smith

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