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Product Details:
- ISBN-10 : 0205895425
- ISBN-13 : 978-0205895427
- Author: David P. Szatmary; Lynsay Ripley
David Szatmary and Lynsay Ripley’s Rockin’ in Time: A Social History of Rock-and-Roll, First Canadian Edition explores the history of rock music within broad social and cultural settings, and its impact on society, with an emphasis on Canada. The text highlights the role that specific Canadian artists, songs, venues and issues have played in the social history of rock-and-roll within and beyond Canada’s borders. Among the many Canadian artists discussed in this context are Ronnie Hawkins, The Guess Who, Ashley MacIsaac and Broken Social Scene.
Table Of Contents:
Table of contents :
Cover……Page 1
Title Page……Page 2
Copyright Page……Page 3
Contents……Page 4
Acknowledgments……Page 12
Preface……Page 11
Introduction……Page 14
Chapter 1 The Blues, Rock-and-Roll, and Racism……Page 20
The Birth of the Blues……Page 21
From the Rural South to the Urban North……Page 23
Muddy Waters and Chicago R&B……Page 26
The Wolf……Page 28
Bo Diddley and Other Chess Discoveries……Page 30
Modern Records: B. B. King, Elmore James, and John Lee Hooker……Page 31
Other Independents……Page 33
The R&B Market……Page 34
From R&B to Rock-and-Roll: Little Richard and Chuck Berry……Page 36
Social Change and Rock-and-Roll……Page 39
Racist Backlash……Page 42
The Music Industry versus Rock-and-Roll……Page 43
The Blanching of Rock……Page 44
The Story of Arthur “Big Boy” Crudup……Page 46
Rockabilly Roots……Page 48
The Rockabilly Sound……Page 50
Sun Records and Elvis……Page 52
“The Killer”……Page 54
“Blue Suede Shoes”……Page 56
Johnny Cash……Page 57
The Sun Rockabilly Stable……Page 58
The Decca Challenge……Page 59
Rockabilly Sweeps the Nation……Page 62
The Selling of Elvis Presley……Page 64
Reactions Against the Presley Mania……Page 67
Elvis Goes to Hollywood……Page 70
Lost Idols……Page 74
Dick Clark and American Bandstand……Page 76
Clark’s Creations……Page 79
The Payola Investigation……Page 81
Don Kirshner Takes Charge……Page 83
The Sounds on the Streets……Page 84
The Girl Groups……Page 85
The Dream……Page 87
Chapter 4 Surfboards and Hot Rods: California, Here We Come……Page 89
Surfing U.S.A…….Page 91
The Beach Boys……Page 92
Jan and Dean……Page 95
Drag City……Page 96
Chapter 5 The New Frontier……Page 99
Songs of Protest……Page 100
The Folk Revival……Page 102
Civil Rights in a New Frontier……Page 103
Bob Dylan: The Music of Protest……Page 109
Joan Baez……Page 112
The Singer-Activists……Page 113
Dylan’s Disenchantment……Page 114
Folk Rock……Page 117
Chapter 6 The British Invasion of America: The Beatles……Page 121
The Mods, the Rockers, and the Skiffle Craze……Page 125
The Early Beatles……Page 128
Manager Brian Epstein……Page 129
The Toppermost of the Poppermost……Page 130
The Beatles Invade America……Page 132
The Mersey Beat……Page 135
The Monkees……Page 138
British Blues and the Rolling Stones……Page 140
The Stones Turn Raunchy……Page 142
Success……Page 144
The Who……Page 146
The British Blues Onslaught……Page 149
American Garage Rock……Page 151
Motown: The Early Years……Page 154
Civil Rights in the Great Society……Page 156
The Sound of Integration……Page 158
The Supremes on the Assembly Line……Page 160
The Motown Stable……Page 163
The Beats……Page 166
The Reemergence of the Beats: The New York Connection……Page 169
The Haight-Ashbury Scene……Page 170
The Hippie Culture……Page 171
Acid Rock: The Trip Begins……Page 177
Rock-and-Roll Revolution……Page 179
Psychedelic London……Page 184
The Decline and Fall of Hippiedom……Page 186
Chapter 10 Fire from the Streets……Page 189
Black Pride……Page 193
Soul Music……Page 195
Funk……Page 201
Black Soul in White America……Page 202
Campus Unrest……Page 205
Guitar Rage of Metal Pioneers……Page 210
Heavy Metal Thunder……Page 216
Woodstock and the End of an Era……Page 220
Back to the Country……Page 225
Dylan and West Coast Country Rock……Page 226
Southern Rock and Outlaw Country……Page 229
Miles Ahead……Page 233
Progressive Rock……Page 236
Seventies Folk……Page 240
The “Me” Decade……Page 245
Elton John……Page 247
Heavy Metal Theater……Page 248
Art Pop in the Arena……Page 255
Funk from Outer Space……Page 256
Disco……Page 258
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